Sustainability and Luxury
A not very interesting article on a subject though very interesting, at Havas Media Lab’s blog today.
Nevertheless, something deserves to be highlighted.
Kavita Maharaj, back from the IHT’s “Sustainable Luxury” conference held at New Delhi on March 24th and 25th 2009, explains.
“In addition to high levels of engagement with traditional luxury brand drivers like heritage and quality, consumers in emerging markets are increasingly showing extremely high levels of engagement with other issues, for example, the area of sustainability. Retailers that move quickly to capitalise on this, will be more adept at building greater brand equity and thus greater commercial succcess, both in the medium and long term”.
Ok, it’s not a scoop. But around one year ago, i read this article by Dana Thomas (author of “Deluxe: How Luxury Lost Its Luster”), in The New York Times.
“For more than a century, the luxury fashion business was made up of small family companies that produced beautiful items of the finest materials. It was a niche business for a niche clientele. But in the late 1980s, business tycoons began to buy up these companies and turn them into billion-dollar global brands producing millions of logo-covered items for the middle market. The executives labeled this rollout the “democratization” of luxury, which is now a $157-billion-a-year industry.
To help these newly titanic brands retain an air of old-world luxury, marketing executives played up the companies’ heritage and claimed that the items were still made in Europe by hand — like Geppetto hammering in his workshop by candlelight. But this sort of labor is wildly expensive, the executives routinely explain, which is why the retail prices for luxury goods keep going up and up.
In fact, many luxury-brand items today are made on assembly lines in developing nations, where labor is vastly cheaper. I saw this firsthand when I visited a leather-goods factory in China, where women 18 to 26 years old earn $120 a month sewing and gluing together luxury-brand leather handbags, knapsacks, wallets and toiletry cases. One bag I watched them put together — for a brand whose owners insist is manufactured only in Italy — cost $120 apiece to produce. That evening, I saw the same bag at a Hong Kong department store with a price tag of $1,200 — a typical markup”.
It would be very cool if some luxury brands could be a little bit more coherent (fortunately some does).
By the way, if you want good thoughts on this topic, visit the excellent John Grant’s blog, Green Normal.
A little late to the game but i’ve just discovered that Filippa K opened last year their secondhand own shop.
The idea is that fashion fans will bring in their old Filippa K pieces and sell them on a commission basis. It make sens for the brand which positions itself as the opposite of H&M (fast fashion and constant change).
Filippa Knutsson, founder and head designer, explains:
“The idea came out of an environmental brainstorming session. Like any company that’s concerned about these things, we’ve spent a lot of energy thinking about how we source, how we produce, how we distribute … but it struck us that we had given almost no thought to what happens to the Filippa K clothes once they have been sold. Creating our own secondhand market seemed like a good way to do something green. We don’t worry about losing sales in our stores. We believe that the secondhand store reinforces the customer’s relationship with Filippa K and shows that we take our responsibility seriously”.
Smart moove.
New Order : Ceremony @ NYC 1981
I really like the imperfections of this version. Radiohead made a perfect cover but something has been lost in the tribute.
And some stats ;-)
- posted two years ago
- 229 504 views
- 356 comments, almost all interesting
- comments in four languages
- last comment three weeks ago
I’d like to highlight two comments :
schitt4brains
I think you are correct. I was there as well, and judging by the camera angle, the cam must have been set up directly behind me. I don’t recall seeing any cams when we went in, but we did get there early AND I was probably very buzzed.
nesplayer94
Ah, that’s really cool you have really good tastes. I just turned 15 and most of my classmates think I’m weird for not liking music from this generation. There’s some good stuff out there but its kinda hard to find. Joy Division and The Smiths are great. The Chameleons are another Post-Punk band I really enjoy. They did great stuff.
Yes a 15 years old fan can meet a guy who saw the concert !(Ok i cheated, the last comment comes from this Ceremony’s video, but you know what i mean…)
Mike Arauz on "If It Doesn't Spread, It's Dead", by Henry Jenkins
Mike Arauz on “If It Doesn’t Spread, It’s Dead”, by Henry Jenkins and his team at MIT’s Convergence Culture Consortium.
“In order to start designing spreadable media, we need to start understanding the new social structures in which it spreads.
“The question now becomes, not how to reach the influencers [as defined by Malcom Gladwell], but how do individuals choose to behave in a networked society and what kinds of social structures best support the spread of content”.
Spreadable media is made possible by the new landscape for social interaction and group collaboration. As Yochai Benkler describes in The Wealth of Networks, digital technology has improved what people can do for themselves, what people can do in collaboration with others, and what people can do within independent organizations outside of commercial industry. And, as I’ve written about before, this even affects how we perceive ourselves.
Here, again, the idea of individual agency, the active role that people play in spreadable media, echoes through the discussion.
Once we welcome this role that people play, we can begin to address the important questions of what people choose to share and why?
And this last point, can’t be stressed enough:
“Although we’ve used the concept brand communities a couple of times, it’s important to reiterate that communities aren’t created, they are courted”.
I’ve said it before, and I’ll say it again: People’s lives don’t revolve around your brand, they revolve around life. This point has come up several times in discussions around Desire Path Branding. Brands do not have the ability to dictate the cultural context in which they are experienced or the ability to define their meaning in the minds of consumers. Those roles have been turned over to the networks of individuals pursuing shared interests and passions on their own terms. The sooner you accept this new reality, the sooner you can start succeeding in this new landscape”.
Two authors highly recommanded.
Fakesumption, a very nice presentation by Jörg Jelden , trends analyst at Trendbuero , at LIFT 09 in Geneva.
The main point is that companies may consider fakes as an opportunity rather than a threat to their core business.
The idea is rather provocative : if fakers are so succesful (despite the risk of prosecution for the buyers), they must have done something right : Fakes are the best “good enough “solutions for a fake buyers who are also brand customers, who love the brand but are not willing to pay the band premium (some interestings thoughts on brand as a service too)
We could argue that for a long time, price was the main source of information for a customer of a luxury/premium brand. And there was a huge information asymmetry (fore more explanations, i do recommend Ethan Bauley’s slides). In a networked world, brands stories (aka we build a social stratification in a democratic world) can no longer hide the real nature or the product (made in Italy, when only light finishes are made there, etc.). Luxury is losing its luster (see for example, Net-a-Porter (profits by 300% ) who will launch its dedicated discount retail venture theOutnet.com next month with more than 200 luxury fashion brands. A step forward to commoditize luxury barnds… Thanks to The Cool Hunter).
I really think some big brands will suffer a cruel backlash and that true luxury/premium brands (made in respect of a tradition of quality) and products handmade by craftsmen (aka Esty) or custom-made products will meet a larger and larger demand. Finaly a move towards more sustainable and smart consumption.
Renny Gleeson, Wieden + Kennedy's global director of interactive strategies, on Branding
There are some intersting things in this interview of Renny Gleeson, Wieden + Kennedy’s global director of interactive strategies:
“One of the interesting things to think about with brands in interactive media is not just how you use these media to express your brand or to talk about your brand, but to redefine what it is, and I think that’s an important distinction,” Gleeson said at the iMedia Brand Summit in Coconut Point, Fla. “Social media projects who we are, but to a lot of the folks we’re trying to market to, they look at social media as a way to create who they are.”
“When you get people holding a device up, they don’t see themselves as not participating, they see themselves as sharing. They’re creating their identity”
“Reality has become less appealing than the stories consumers can tell via social media, and the medium has greatly increased that storytelling ability and the volume of consumer opinion — taking control of the conversation out of the brand’s hands. But while brands can no longer control the conversation, they still have the ability to choose who they want to focus their efforts on, which is how brands can become part of the story being told”.
Yeah, that’s pretty cool.
But what’s bred in the bone….
“According to Gleeson, centering an online campaign on an existing demographic or built-in fan base is hardly anything new, but what brands need to do is grow the campaign out of an existing community, rather than simply drop it on top of a community. This keeps the conversation going, even after the campaign is over. That way, the brand continues to earn media share even after the portion they’ve paid for is gone.
“You build and launch a campaign, but then the conversation doesn’t stop,” Gleeson said. “The next time you’re seeding a campaign, you’re doing it with folks you already know, and you might be able to do it directly. Now you can maintain the conversation.”
The way brands can move beyond this is by focusing on critical skill sets: Your staff should understand community management, be fluent in social media, and grasp the importance of making it easy to find a campaign”
I’m sure that Renny Glesson is a very smart guy.
But i’m not sure this is the best way to redefine what is a brand..
Broadcasted in 1969 on french TV.
A w e s o m e !
Here is the translation from around 1’30:
“Actually the question is to know if the word « Television » really makes sense for this new extraordinary free circulation of images and sounds that is to occur in the future.
« Television » means to us radiotransmission, broadcasting ; « televison » also includes an obvious passivity, on the contrary, all that you see through this cable implies an active envolvement from everyone.
To be honnest, there’s no proper word yet : « audiovisual », « audiovisual equipments » don’t fit, I’m waiting for linguists to find the appropriate word. As for me, this new word will define these extraordinary possibilities for the circulation of images and sounds.
This cable which brings you home 40 different choices is, for me, the main revolution for the future. The optimum use of it would be to offer people the choice of the images and sounds they want to recieve. Not only for entertainement, not only for education, but also for all everyday life activites”.
Last but not least the soundtrack : the Pink Floyd (with Syd Barrett) Interstellar Overdrive
There was a time when TV was cool…
Thanks Pauline
A User's Guide to 21st Century Economics by Umair Haque
“What is the role of marketing in a world where consumption must slow?
In the 20th century, marketing was the pusher of a consumption addiction: Madison Ave’s game was to create perceived value by “differentiating” the same razors, blades, and toothpaste. At the Lab, we’ve found that companies who create perceived value are significantly less profitable and more vulnerable than companies who are rethinking marketing to create real value. Think (the awesome) Nike Plus.
What is the role of distribution in a world where consumption, savings, and investment will accelerate in volatility?
In the 20th century, advantage was attained by seizing or building distribution channels. At the Lab, we’ve found that value chains built on inert channels are significantly less profitable than value chains built on circuits - two-way channels, where context flows in one direction, and goods in the other. Think (the totally radical) Threadless”.
No excuses now ;-)
Acne describes itself :
“Acne was created in 1996 by four creatives and the initial idea was to build brands, their own as well as others’, within the fields of fashion, entertainment and technology. Although all members of the collective are independent entities acting in their own right in various fields of creativity, they all share the same vision and culture. This vision combines art and industry in equal measures, whether this is through clothing, film, printed matter or a global advertising campaign”.
“The “Factory-like” collective is best known for its Acne Jeans brand, was founded in 1996 by four friends, Jesper Kouthoofd, Thomas Skun Skoging, Mats Johansson and Jonny Johansson. Acne’s empire now spans a film company, an ad agency, a web design company, a toy company and even a magazine.
The jeans brand is the beacon of the group. It sets to the tone, the mood and the trends and helps build the connections and relationships for the rest of the company, but it also reacts and responds to what the other units are doing. Think of it as a dynamic feedback loop”.
Kitsune and April 77, two french brands have followed the same path.
I’m sure there are other examples of these kind of collective/company/startup/association/partnership who try to break the old boundaries with a new sens of purpose.
It’s fascinating. It’s hypercreative. And it might be the future ;-)
